Basic Information
| Field | Details |
|---|---|
| Full name | Quinton Anderson Reynolds |
| Also credited as | Quinton A. Reynolds |
| Date of birth | August 31, 1988 |
| Occupation | Camera & Electrical Department; Editorial; Digital Imaging Technician (DIT) |
| Public persona | Works behind the scenes in film/TV; maintains a low profile |
| Parents | Burt Reynolds (adoptive father); Loni Anderson (adoptive mother) |
| Siblings | Deidra (Hoffman) — older half-sister |
| Grandparents (paternal, adoptive) | Burton Milo Reynolds Sr.; Harriett “Fern” (Miller) Reynolds |
| Grandparents (maternal, adoptive) | Maxine Hazel (Kallin); Klaydon Carl “Andy” Anderson |
| Social media | Instagram: @quintonjreynolds |
| Notable credit | Ouija: Origin of Evil (2016), camera department |
| Years active | 2010s–present |
Early Life and Family Roots
Quinton Anderson Reynolds entered the world on August 31, 1988, and was adopted shortly thereafter by two of America’s most recognizable TV and film stars, Burt Reynolds and Loni Anderson. His arrival coincided with their high-profile marriage, and for a brief moment, the tabloids took notice. Then the spotlight moved on—as it often does—leaving Quinton space to grow up with a sense of normalcy in a decidedly abnormal industry.
His adoptive family tree is steeped in screen history. On his father’s side stand Burton Milo Reynolds Sr. and Harriett “Fern” (Miller) Reynolds, the parents of a future box-office titan. On his mother’s side are Maxine Hazel (Kallin) and Klaydon Carl “Andy” Anderson, rooted in Midwestern resilience and small-town grit. Quinton’s older half-sister, Deidra, further rounds out a family that has experienced both the warmth of stardom and the chill of public scrutiny.
The throughline is simple: despite the noise of celebrity, Quinton’s private life remained guarded, his trajectory measured, and his choices his own.
Choosing the Craft Over the Spotlight
Where many children of actors chase front-of-camera fame, Quinton chose the rhythm of the camera department, the precision of editorial, and the increasingly indispensable craft of digital imaging. He has logged more than a decade of professional work, contributing to sets where the hum of rigs and the glow of monitors tell their own quiet stories. Among his credits is Ouija: Origin of Evil (2016), a mid-budget genre entry where technical teams shoulder as much storytelling weight as the cast.
His resume reflects a hybrid skill set across production and post: camera assistant and operator roles, editorial support, and DIT work that helps shepherd images from lens to timeline. It’s meticulous labor—the kind of craft where success shows up when no one notices anything at all. And it fits him. He seems to prefer the hush of the dolly track to the roar of the red carpet.
A Private Presence in a Public Family
Quinton’s public appearances often trace family milestones rather than personal promotion. In September 2018, as the industry mourned his father, he joined family and friends for a private memorial. Years later, in August 2025, his name resurfaced in news coverage marking the passing of his mother, Loni Anderson, a television icon who defined an era. Between these moments, Quinton kept to his lane: working, living, posting occasionally on Instagram, and letting the credits roll on his own merits.
His Instagram handle, @quintonjreynolds, provides glimpses rather than narratives—an album of moments rather than a diary. The tone matches the man: understated, purposeful, and camera-forward.
The Family at a Glance
| Name | Relation | Notes |
|---|---|---|
| Burt Reynolds (1936–2018) | Adoptive father | Oscar nominee and one of the biggest box-office stars of the 1970s–1980s. |
| Loni Anderson (1945–2025) | Adoptive mother | Beloved for WKRP in Cincinnati and a familiar face on TV for decades. |
| Deidra (Hoffman) | Half-sister | Loni Anderson’s daughter from an earlier marriage; Quinton’s older half-sibling. |
| Burton Milo Reynolds Sr. | Paternal grandfather (adoptive) | Father to Burt; military and municipal service background. |
| Harriett “Fern” (Miller) Reynolds | Paternal grandmother (adoptive) | Family matriarch remembered in Burt’s profiles. |
| Maxine Hazel (Kallin) | Maternal grandmother (adoptive) | Often cited in biographical sketches of Loni Anderson. |
| Klaydon Carl “Andy” Anderson | Maternal grandfather (adoptive) | Known in family histories and local retrospectives. |
Key Dates and Milestones
| Year/Date | Event |
|---|---|
| August 31, 1988 | Quinton Anderson Reynolds is born. |
| Late 1988 | Adopted by Burt Reynolds and Loni Anderson shortly after birth. |
| 2010s | Begins accruing professional credits in camera, editorial, and DIT roles. |
| 2016 | Works on Ouija: Origin of Evil (camera department). |
| September 2018 | Attends private memorial for his father after Burt Reynolds’ passing. |
| August 2025 | Mentioned in coverage of Loni Anderson’s death as her son. |
The Work: How Crew Credits Tell a Story
Unlike the star system, where a single face defines success, below-the-line careers are mosaics—built credit by credit. Quinton’s portfolio spans narrative features and television productions, with a focus on the technical chain that transforms images into story. Camera departments rely on timing and trust: pulling focus, calling marks, managing rigs, and communicating with editorial. In DIT roles, the job is modern alchemy—color pipelines, data integrity, and troubleshooting under pressure. Editors and post teams then shape that raw material into rhythm and meaning.
Measured by the hour, it’s long. Measured by outcomes, it’s invisible. That invisibility is its own badge of honor in a business where the best craft work disappears into the viewing experience.
Money Talk, Carefully
Public curiosity often gravitates toward “net worth,” especially when a household name is involved. In Quinton’s case, there’s no authoritative public disclosure. Various websites float speculative figures, but they’re just that: estimates. One documented fact does shape the conversation: upon Burt Reynolds’ death in 2018, reports noted that Quinton was not a direct beneficiary in the will; instead, a trust was created for him. Trust structures are common in estate planning for public figures, designed to be private and protective. Beyond that, his finances remain his business.
Public Image and Work Ethic
It’s not easy to carry a famous last name and then choose anonymity by degree. Yet Quinton’s public image suggests a crew-first ethos and a preference for work over attention. He appears when it matters and recedes when it doesn’t, a steadiness that reads as intentional. In an industry prone to spectacle, he favors results. Think of him as the steady metronome behind the melody—the measure that keeps the song together.
FAQ
Who is Quinton Anderson Reynolds?
He is a film and television crew professional best known publicly as the adopted son of Burt Reynolds and Loni Anderson.
When was Quinton Anderson Reynolds born?
He was born on August 31, 1988.
Are Burt Reynolds and Loni Anderson his biological parents?
No; he was adopted by Burt Reynolds and Loni Anderson shortly after his birth.
What does he do for work?
He works behind the camera in the camera and editorial departments and as a digital imaging technician.
What are some of his credits?
Among other projects, he worked on Ouija: Origin of Evil (2016) in the camera department.
Does he act?
No; he has chosen technical and post-production roles rather than on-screen performing.
Is he on social media?
Yes, he occasionally posts on Instagram under @quintonjreynolds.
Did he inherit from Burt Reynolds directly?
Reports indicated he was not directly named in the will; instead, a trust was established for him.
Does he have siblings?
Yes, he has an older half-sister, Deidra (Hoffman).
How public is his personal life?
He keeps a low profile and is primarily mentioned in connection with family milestones and his professional credits.
